Mirrormask: The Illustrated Film Script of the Motion Picture from The Jim Henson Company By Neil Gaiman and Dave McKean William Morrow The Jim Henson Company approached Messrs. Gaiman and McKean, inquiring whether they would be interested in making a fantasy film. They have collaborated on a number of projects over the course of almost twenty years, their most noteworthy achievement being the award-winning Sandman series. Even though The Jim Henson Company only had a $4 million budget, Gaiman and McKean were intrigued by the offer and agreed. In the book’s introduction Gaiman details how he and McKean worked together to create the film’s story and screenplay, which was a tad difficult because of their different approaches to writing. McKean outlines an entire project on cards, aware of every aspect and idea, before writing a screenplay while Gaiman talks until he’s ready to write and then allows a screenplay to flow out of him as he works. Mirrormask is about a young girl named Helena, whose parents run a traveling circus. She is tired of her life and wants to get out of it. Her mother falls very ill and is hospitalized, so Helena stays with her aunt. Helena loves drawing and covers the walls of small bedroom she is staying in with her pictures. One night, she has an odd dream and then unknowingly walks into a city on the other side of reality. It’s a magical world that is divided into the White City and the Dark Forest. Helena is mistaken for the Princess, who stole a charm that caused the White Queen to fall into a sleep she can’t be awoken from. Her slumber has broken this world’s balance and shadowy tendrils seep out of the Dark Forest, destroying everything in the White City they touch. Helena volunteers to find the charm because she has seen herself sleeping back in her aunt’s flat and assumes she is dreaming. As the adventure progresses, Helena learns that she may not be in a dream after all. She becomes aware that she has switched places with the Princess, who ran away from her mother, the Dark Queen. Helena discovers even graver news when she realizes that this strange, new world she is trapped in are her drawings pasted on her aunt’s bedroom walls. When the Princess sees Helena in the drawings, she begins tearing them down, destroying the world she ran away from. Gaiman and McKean have created a fabulous fairy tale that playfully deals with familiar archetypes, such as Sphinxes, while creating brand new ones like the Monkeybirds. Mirrormask should satisfy both children and adults because there is plenty of action and some mild frights. Gaiman wrote the screenplay from their story with plenty of input from McKean along the way. McKean directed the film, which is coming out this fall from Sony Pictures, but has no release date. The Illustrated Film Script contains the screenplay matched with McKean’s storyboards, including the deleted scenes that are sure to appear on the DVD. There are also stills from the sets and behind the scenes that show the final realizations of McKean’s vision. They look marvelous and should be a wonder to behold on the big screen. I was worried about the effect reading the script would have on me in regards to seeing the film, but Mirrormask is so imaginative and its story and visuals are so compelling that the book increased my interest in seeing the film. I highly recommend the book for fans of film and fantasy and certainly understand if you choose to see the film first before reading it. The screenplay format might be tough to read for young children who like the film Appendices in the back show the transformations the Mirrormask story made as Gaiman and McKean emailed back and forth with ideas and alterations and what-ifs. They write mutual-admiration letters and the book closes with the lyrics to the song over the end credits, which were written by Gaiman.
Wednesday, March 16, 2011
Mirrormask: The Illustrated Film Script - Review
Six Tips to Help You Clean and Organize Your Photography Studio
1. Photography Studio Organization - Use good old fashion hanging files.
Believe it or not, in this digital age, the classic green hanging folder is still a great organization tool. Using manila folders to organize your photography studio's bills, invoices, and receipts is a good start. It is a lost cause however, if you don't have an organized place to put them. The hanging folder is the perfect place to put them
Don't have a filing cabinet to put the hanging folders in? Not a problem. There are several options available at your local retail store. I prefer the clear Rubbermaid bins. They are about 8 inches wide. This means they are easily stored in closets or on a bookshelf. Since photography studio space is usually valuable real estate, these smaller file boxes might be the way to go.
2. Photography Studio Organization - File your files
A great way to keep your files organized is to keep a file of all your files. What do I mean by this? Keep a piece of paper in your photography studio with all of your file folders on with their names. If the folders have sub-folders, list those too.
This will let you see if you have folders that overlap so that you can condense your folders. For example, there is no point in having studio file and a studio equipment file.
You could have this list written on a piece of paper, but that would just be one more piece of paper to file. Try keeping this record in a word or excel document. That way you have one less piece of paper in your office and you can update it much easier when you add new folders and files.
3. Photography Studio Organization - Throw things away
For some reason most photography studio owners have a fear of throwing client paperwork and photos away. There are certain things that you just don't need to hang on to. If you are a digital photographer there is no reason to hold on to basic prints. Create a varity of back-ups and toss the prints. You can always re-print them. If you aren't a digital photographer and have a traditional photography studio, invest in a scanner. This way, if you must hold on to prints for color purposes, you can scan them and toss the print.
There are some things you need to hold onto though.
Tax items are one thing you should hold onto. You should save your tax returns forever. The rest of your tax reports and receipts should be saved for no longer than six years.
Throw away papers that you don't have an immediate need for, can get a copy of easy, or that don't have any tax or legal reason to hold on to.
If you feel like you need to hold on to all your photography studios paperwork, than try scanning it all onto a portable hard drive. Then you can throw all the papers away. It will take more time than growing through all the papers away, but at least the hard drive will take up less space in your office.
You can scan model's head shots for reference later. You can scan pose ideas from magazines so you don't have clipping all over your photography studio.
4. Photography Studio Organization - "Assorted" Folders
How many other, assorted, or misc files do you have in your photography studio? You know, the folder that you put everything in that you just don't know where else to put it. That isn't organization. Odds are you can just throw it away altogether. A good rule of thumb is, if you haven't needed it or touched it in a year then toss it.
5. Photography Studio Organization - Get rid of business cards
There are so many ways to organize all your business cards, model head shots, and contact information. There are plenty of ways to get rid of it altogether as well. A simple approach is to take the business card or headshot and tape it or staple it the file folder it is associated with. At least then it is filed away instead of in a pile on your desk or in a drawer.
There are lots of gadgets out there made for scanning in business cards to your computer. If you are a digital photography studio, you probably already have a scanner, put it to good use. If you don't have the money for one of these than just take some time to enter the contact information into your electronic address book. Outlook has a great address book or you could even use your email clients address book. Anything is better than having them just laying around waiting to get lost.
6. Photography Studio Organization - Use the computer
Try using your photography studio's computer as much as possible. Use it to make your to-do lists, create address books, file documents, and more. The more you keep or put into your computer the less you have in your photography studio.
As I mentioned before, there are plenty of gadgets out there that can help you scan your files into the computer. Take advantage of them!
Tips for Your Commercial Photography Portfolio
here
A great commercial photography portfolio is your calling card in the industry, and your ticket to winning clients and landing jobs as a professional photographer. Read on to learn 3 key tips that will help make your commercial photography portfolio shine, so prepare to start getting the gigs you need to advance your career. These commercial photography portfolio tips will take your clips to the next level, so that you can scale the ladder to your dream job.
1. Offer Your Commercial Photography Portfolio In A Variety Of Formats
When you hand out your commercial photography portfolio, one of the things it is crucial to communicate to a client is that when they hire you, you will do everything you can to make his or her life easy. You want to be seen as professional and responsive, and as someone who proactively anticipates your client's needs. One great way to make this impression fast is to have your commercial photography portfolio available in a number of formats, including in print, on CD, and online, as AllArtSchools suggests. When you follow this advice and have print, digital, and virtual clips available, your first question to a client can always be "What's easiest for you?", a sentence that will be music to any prospective employer's ears.
2. Pitch Your Commercial Photography Portfolio Directly To The Job At Hand.
Instead of having one commercial photography portfolio, have several, one targeted to each kind of work you're hoping to do in your career. Have you taken some gorgeous nature images? That's great, but a client who's hiring for a fashion shoot won't care! A prospective employer will hire the person who seems most likely to do a great job on the specific project at hand, so make sure everything in the commercial photography portfolio you hand to a possible client is directly relevant to the task they'll need you to do. Try doing as PhotoCritic suggests, and put together a portfolio of just your fashion work, another that highlights your nature shots, another for photos you've taken of products, and so on for each genre you've got clips for, and are seeking work in. That way, as you move forward in applying for a variety of jobs, you'll always have your most specifically relevant work at your fingertips, ready to impress your next boss.
3. Include The Right Written Information In Your Commercial Photography Portfolio.
As Marketing For Photographers and Photography points out, you don't need to include much written information in your commercial photography portfolio. However, what you do put in can make or break a client's interest in your work. By reducing the amount of text, you help keep your prospective employer engaged with the images you're presenting, which is the goal of your commercial photography portfolio. You don't need to put forward the technical information for each picture, like your equipment choices or shutter speed, because the client only cares about your end result, not about the road you took to get the shot. You should offer a brief description of what each picture is, to provide some context, and a clean, professional, and specific title for each shot, so that it's easy for clients to reference a particular image in your commercial photography portfolio when they're in discussion with you, or with any colleagues who may be involved in making the decision to hire you.
Friday, March 4, 2011
Baby Constipation: Symptoms & Treatments When Your Infant is Constipated
boston celtics baby clothes
Constipation isn’t something only adults deal with it. Your baby may experience it as well. There are many signs to tell if your baby is having trouble moving his bowels. Luckily, there are also some natural, safe ways to treat and help prevent constipation for your infant. Of course, you should always notify your child’s pediatrician when your child is in any sort of distress.
Signs Of Constipation:
Bowel Movements Have Slowed Down- A baby will have less bowel movements the older he gets, but if it starts suddenly and is accompanied by discomfort and fussiness, it may be due to constipation. Breastfed babies are less likely to be constipated but if he has just started solids, it may have caused it.
Baby Pulls Up Knees And Grunts Or Moans- This could be due to gas as well as constipation.
Irritability- Constipation is one of many things that could be causing this.
Baby Seems Relieved After Bowel Movement- If baby is having a particularly hard time passing a stool and then seems relieved when it finally comes out, it may be due to constipation.
Hard Stools- Little rocks or pellets in a baby’s diaper definitely suggest he is constipated.
Blood-Streaks In Diaper- Anal fissures or hemmorhoids could be caused by the hard stools. (Definitely contact pediatrician about this to rule out anything worse.)
Hard Stomach- A tight abdomen could be caused by gas or constipation.
Treatments For Constipation:
Exercise- A little exercise can sometimes work out the excrement. Try bicycling baby’s legs or if he has one, try the Jumperoo or Exersaucer.
Massage- Infant massage can be a natural cure for many ailments and there are plenty of techniques for tummy upset.
Water- Ask your pediatrician if a little water would be okay to grease up the works.
Fruit- If baby is eating solids, try some pears or other strained fruit. (Not bananas or apples, though. They could make the problem worse.)
Cut Back On Certain Solids- Rice cereal, bananas, and apples are common culprits of constipation when solids begin.
Prunes- Ask the doc before trying, but pureed prunes or a little prune juice can help get things going again.
Laxatives/Suppositories- Only try these under extreme circumstances and per your pediatrician’s instructions.

